Monthly Archive for April, 2009

Sketch: Giraffes, mudcake, the colour of magic and how I met your mother.

Kat Johnston Sketch - it's a giraffe. It's a tall giraffe. With, uhhh, a long neck. Yay!

Quite a title today - consider it somewhat of a stream of consciousness. It has little meaning beyond what was flowing through my head in that particular instant. Giraffes, because that is what the picture is today, mudcake, because that is what Emma had earlier today to fight off horrid back pain, The Colour of Magic because that is the dvd I have beside me right now, and How I Met Your Mother because… well… it sounded like a good way to round it off. Oh, and it’s also a good series.

I’m going to write a little about an opening I went to the other night soon, but I’m going to save that for another day. I’m feeling a bit flagged right now, and quite well know that my writing can tend to suffer a little when that is the case. Therefore I’m just going to write like this - one word after the other until I am done.

My spam-catcher has now caught over 1000 spam messages for me here on the blog - over a thousand! That really just boggles my mind just the tiniest bit. The more annoying thing, I think, is that the spam messages coming through at the moment are really rather boring. I don’t mind spam, so long as it is somewhat interesting, and these ones are not.

‘Great blog, I really like how you write’ doesn’t quite stand up to some of the fantastic ones out there which flow like some sort of odd surrealist automatic-writing exercise with a few links thrown in for good measure. I absolutely love that spam! I know that might seem like an odd thing to say, but it’s true. Screw the ‘here’s a nice default message with a link to my site’, I want spam with guts to it, where one line says ‘piano walnut lessons in viagra playgrounds give johnnie liked tennis with a side of peanut butter’ and the next says something entirely different - where one word doesn’t necessarily have any actual relation to the next.

So anyhow, yes. That’s all. This is an entirely pointless post with no real reasoning behind it, written so that there is something on the site, in order that I don’t lapse in posting something on this particular day. Because I’ve not been the greatest about posting every day recently - every other day seems to be little problem, but every actual day sometimes gets to be somewhat of a chore. And it feels as if I’m writing to myself. Am I? Hello? Is anybody out there? Maybe I’m going mad… oh no…

Sketch: Lincraft responds.

Kat Johnston Sketch - look... I'm running out of witty lines. Or even smart ones. You're just going to have to deal with... this!Kat Johnston Sketch - look... I'm running out of witty lines. Or even smart ones. You're just going to have to deal with... this!

None of this has anything to do with the sketch - we’re ignoring it today and moving onto the other stuff.

The other day I wrote a bit of a rant about Lincraft regarding the state of canvasses they sold me a few weeks ago - an annoyingly sticky, gummy residue was left along with cardboard when I pulled away the packaging, leaving the rather unpleasant job of having to do more work to prep the front of the canvas for painting. Although I did pick them up on sale, it still left me feeling rather grumpy over it all. After all, you buy a pre-prepared canvas, you expect to be able to use it straight out of the plastic without having to worry about doing more work or worrying if it is going to work at all. I may have been a little harsh, but I do tend to get that way when it comes to being overly annoyed over things that are as they should not be.

So this morning I awake and undergo my regular daily schedule: reluctantly open eyes, crawl from under the covers, go downstairs, check e-mail and so on - my rant already quite forgotten. I have a fairly short memory at times and there were more concerning things to worry about… like who was going to make me a peppermint tea for breakfast. With barely contained surprise, between the spam and Facebook notices I noticed a contact form result in my inbox… from Lincraft.

I have a new-found respect for Lincraft now. There are a lot of businesses not yet utilizing the plethora of opportunities currently available to monitor the buzz about their company online, let alone respond to it - Lincraft has. With a sincerely worded apology for the faults of the product and an assurance that it was an old line, the whole experience feels a lot… better. As if going back to get a canvas from Lincraft again tomorrow maybe wouldn’t be as bad an idea as it would have been yesterday, and as if they do take the whole customer satisfaction and product quality thing seriously (at least on a corporate level).

So I guess my post today is about giving credit where credit is due. Thanks Lincraft, for harnessing the power of ‘teh internets’ (and probably Google Alerts) to respond so quickly and personably to the problem I had with that product. It is appreciated.

Sketch: Note to self, don’t buy canvasses from Lincraft, even when desperate.

Kat Johnston Sketch: a boy, with quite a haircut... or lack of it. That is all, move along, Sir.

I’ve come to a few conclusions today. They are as follows:

1. I just cannot paint with the tv going. Or with a dvd playing. Or anything else that requires more concentration than good ole fashioned music of a variety that makes me smile. There are many things I can do with the background noise of a good cop tv drama. Painting is just not one of them.

2. I find it devilishly hard to work on a painting while my husband is home. It just doesn’t work. He wants to ‘watch’ or ‘be in the room’ or… well… something. Something loving and kind and adorable, but nonetheless frustrating (even if he’s doing absolutely nothing at all). Love you sweetie, but somehow, it just doesn’t work.

3. Even when desperate, despite the fact that they’re on special for half off and they are just the size I need, I should not purchase canvasses from Lincraft. What in the hell was I thinking anyway?

Lets continue the rant about the third item there, shall we? Yes, I admit it - I often buy my canvasses because due to a combination of laziness and lack of an electric saw capable of perfect mitre cuts, I don’t make my own. That said, I don’t generally make the mistake of buying them from Lincraft of all places - and for good reason. A couple of weeks ago, I was walking through the city, headed to Lincraft to pick up paint. I was out of a couple of colours, and lets face it, paintings are generally pretty hard to do without black and white. Mine are, anyway.

I decided to have a look throughout the whole store - lo and behold, the canvasses were on special. Funnily enough, I needed some, so thought ‘what they hey? They’re half off, surely that is a deal I can’t pass up!’ How stupid am I? And more importantly, how stupid are they? Who in their right mind uses a stupidly gummy adhesive (for its purpose) to affix a piece of glossy paper to the actual front of the canvas? Uh huh folks, you heard me right. You can’t pull away the stupid piece of paper without leaving a sticky, gummy, obstinate bit of residue behind on the canvas itself.

Now I realize that the people who generally buy their canvasses from Lincraft are more than likely not in the game of producing fine art (no offence to those who do, mind you), but come on! From the very second that someone tries to tear away at your piece of useless self-promotion, they’re having to rub away at the canvas to get rid of adhesive that shouldn’t have been on that part of the canvas in the first place. Even the people producing dollar store canvasses have worked out that you can affix a piece of paper with the relevant details by folding a few corners, and if necessary, affixing to the edges which aren’t generally used as a display portion of the paintable surface.

So I post this now - as a warning (and as a general rant. I like to rant now and then). For god’s sake, go to a cheapie store and buy your canvasses there over getting them at Lincraft. At least you might start off with a fully paintable surface when you do.

Sketch: I should have had this up yesterday… but I had a looooong day.

Kat Johnston Art: I'm not sure what to call her... a prima ballerina perhaps?

My apologies again for the late posting of an image for yesterday! I’m slipping. You see, I had a late-ish night attending a lecture over at QUT before having dinner at a certain food establishment. By the time I got home, I was ready to just tumble into bed and call it quits for the night. The rest of this post actually has nothing to do with the sketch, or with art, or anything of that nature at all. It is almost entirely consistent of my grumbling about our dining experience last night, so please feel free to ignore everything I say from here on in. I’m not going to name the place we got dinner at, so that I can tear into them just as much as I please. Let’s call it ‘Foodles’ just so that we have a name to play with, yes?

Emma and I arrive at Foodles, quite expectant of a delicious meal to call our dinner after passing it quite a number of times during our travels around the city before this day. Always it sat there, unassuming yet alluring, a place we’d desired to go but had not yet entered. Having completed out evening mind-expansion, we just wanted something tasty to fill our stomachs before venturing back home to our respective beds. Tonight, we would go inside.

We waited at the front counter, tucked just behind the ‘Please wait to be seated sign’ with polite little smiles on our expectant faces. After a good 10 minutes or so, someone finally deemed us worthy of their attention and wandered over, a bored look dulling their features as they uttered ‘Just the two of you?’ We nodded to them, and followed to our table, still yet undeterred despite the early warning signs. Sliding into our seats, a couple of menus were shoved under our noses and the server wandered away, seemingly fascinated by whatever it was that ticked away (or didn’t, rather) behind their blank expression.

We sat for a few minutes, flicking through, deciding on our meals for the evening - Emma opted for a dish of nachos, I for the caesar salad, with a side order of chips to share between the both of us to finish it off. For dessert, we would get a couple of tasty things just to spoil ourselves.

After a good 15 minutes or so in which we sat there twiddling our thumbs, someone finally wandered over to take our order. The server stood there with a slouch, not bothering to hide the fact that they certainly didn’t want to be there as a pen dangled limply from one hand, the other holding a little notepad away from them as if somehow writing on it would be quite undesirable. We made our orders, including dessert, still believing at this point that the place might stand up on the merit of its food. After all, we’d walked past this place numerous times, always wanted to try them, even heard good things about it - surely it couldn’t be that bad?

It was. Our meal took long enough to prepare that I completed several napkin sketches and went over the details of my sister’s entire trip home (with all the juicy details, high-school ’she said, he said’s and ‘oh my god, you won’t believe what so-and-so did’s) with time to spare by the time it arrived. One look was enough to urge us to smile politely and cancel any possibility that any more food might arrive on our table with a suitably decent bill to match it. Skipping dessert seemed like a mighty fine idea by that point.

A look of annoyance crossed Emma’s face as she took her first bite into a soggy corn chip - wet towards the centre where the pile of dismal half-warmed meat had made contact, stale and chewy where it had not touched. I, meanwhile, nudged aside a piece of ‘parmesan’ which certainly didn’t seem like parmesan (or properly taste like it, once I’d taken a bite) to reveal bacon startlingly pink on one side yet charred on the other. It doesn’t take much to make a decent caesar salad - it takes someone special to do a brilliant one… it takes real damn effort to screw one up. Even the side order of chips came out half-cold. Oi!

We left, handing over our cash and hurrying from the place just as quickly as we could, with a promise not to subject ourselves to that again. It was more than that though - a dream had been broken, shattered, kaput. Our ‘we really must go there’ restaurant had proved to be an absolute dud, leaving an almost palpable sense of disappointment to follow us home like an oft-kicked puppy wanting to find a family to love it, huggle it and call it Fido. It just wasn’t right.

We had our dessert. Two icy-poles from the 7/11. Our evening was somewhat redeemed, though little could be done to save the sadness that befell our hearts. Tonight we’re eating at home.

Sketch: She is not headless… she is bodiless.

Kat Johnston Sketch: One might think that she is headless, yet her head exists right there. She is bodiless.

I was without a post yesterday, since the day simply swept me by from start to close. Thus, I provide to you now an image which will hopefully have another added later in the day, to make up for my tardiness with regards to yesterday’s sketch.

I said I might present another of the ‘head’ pictures I happened to be sketching the other night - so here is the first that I drew… the other posted was the third. To begin with, like most of my images of faces, the eyes were drawn. The rest really went from there. The cut at the throat to sever the head from its unseen body was the last thing to be added, and a surprise even to myself.

I find it an odd sensation when an image tells you the way it is to be treated. I am not sure that other people who draw or paint get the same feeling, but when I look at an image I can tell if it is ‘not quite right’, or ‘not quite there’. Sometimes then it is a move of instinct more than calculated rational thought that leads me to where the picture itself wishes me to go, to complete it.

I still find it funny that I speak of my pictures, drawings and paintings as if they were people, who can speak back. I personify most anything, from toasters to toadstools, so I suppose it is little wonder that I do so with the creations I put forth myself.

Cue the odd tangent now… I just had a thought. I am a creator of those sketches, those pictures and art pieces. Does that mean that I am a god to them? A divine being, to breathe life into something from paper and dust, canvas and ink? If, by some odd chance, each of the pictures were to go to a land where all the pictures and images I have drawn and painted go, would they worship me as their savour? Would they blame me for the nightmares which exist beside the dreams, while I sit entirely unknowing of the universe I have created through the stray wanderings of my fickle imagination?

Sketch: Her heart sits upon her collar.

Kat Johnston SKetch: Her heart sits upon her collar.

This picture was drawn last night, alongside a couple of others - each of them displaying a head devoid of the body which may support it. This in itself is not unusual for me: I quite often draw only a face without what lies below it. It is on a slightly rarer occasion where there might be a particular reason why this is so, other than my own sense of laziness.

One thing that I haven’t drawn a lot of recently is dismembered bodies… quiet with the ’should you be seeing a psyche?’ thing please! It wasn’t until a few weeks back that the first started to creep back into something I was doing - in this case an armless woman that I really must get around to finishing painting. The lack of arms is carefully masked in such a way as on first look, nothing seems out of sorts… its on the second take in which it hits. These head drawings are far more direct.

There are two others, which I may post later on, should the mood strike… heads which lack the cleanness of the severing of this one. Its rather amusing to me, actually - each of the last two (of which this is one) bear the sort of ‘craft’ or ’scrapbooked’ sort of embellishment somewhere on them… in this case, a little hand-sewn heart, the other with a very decorative scolloped edge to the cut.

Rather a perverse thing to be sketching while chatting away aimlessly and watching others play Risk, huh?

Sketch: Dance like no-one’s watching -or- A glorious day.

Kat Johnston Sketch - dance like no-one's looking... even if there is!

Some days are just not worth chronicling - many are just like the one before it, steeped thoroughly in a sense of overbearing tedium. This was not one of those days.

I awoke to the pleasant sound of my husband entering the room, reminding me in case I had forgotten that I was to meet him in the city, in order to pick out frames to replace his old ones. Rising at this early hour, for there was no justification to continue in my rest, I slipped downstairs and started my daily routine on the computer as the husband left for his day. When 10 o’clock rolled around, I locked the door behind me, and strolled towards the station.

Met there with a gaggle of older teens, already I could tell that the day was not to be a great one. The thought hit: ‘Ahh… school holidays still…’ and the thought was not a comforting one. I entered the bus after it rolled to a standstill, handing my money over to the gruff driver after ordering my ‘Adult, off-peak daily, thank-you.’ Only a few weeks ago my fare was by half of what it is now. So far, it was not feeling off to a great start.

With a lumbering lurch, the bus jumped forward a few feet, before properly setting a trundling pace. A few stops later, the bell dings - the bus stops, but not one passenger disembarks. ‘Who wanted this stop?’ growls the driver, as if stopping is not something he is generally inclined to do. An apologetic voice piped up, a hesitant ‘I’m so sorry, I really needed the next stop, I was confused.’

The doors snapped closed, almost a perfect reflection of the annoyance so barely contained by our disgruntled mass-chauffeur. It trundled to the next location, the doors flinging wide - the blush-cheeked woman stepped down daintily from the step, holding her vivid blue dress by her knee so that the edge didn’t brush against the floor. Two passengers entered in her place.

A hunched over figure gabbing to some person on his mobile summarily ignored the driver, brushing by to the startled voicing of ‘Hey, you,’ which the man blankly ignores. I can only assume it to be his wife, also with a cell stuck to her ear, who entered after him. Barely breaking from her conversation, she shoves a crinkled five dollar note towards the driver, proffered in her grubby paw. ‘He’s with me, two concessions, one way,’ she mutters, before quickly returning to that seemingly important talk she must be having with whoever it was engaging the bulk of her attention. The driver took the money, printing out two tickets and handing them to the woman, who soon plonks into her own seat.

One would think that the drive between my home and the city, which is only really about ten minutes, would feel about, ohh, ten minutes long. It didn’t. It dragged. A bawling child screeched by the back of the vehicle as the two across from me sat absorbed on their phones - she sporting lanky dark hair and oft-scratched legs, he with a five-o’clock shadow, over-sized shades and much-worn thongs. We finally reached Roma Street, the bus slowing to a halt, and once again the doors fairly burst open as if to express some barely contained rage in reflection of the driver’s own psyche. The mobile couple left and the bus scoots forward again, but only by the length of a bus. Drawing alongside the one just in front of us, the driver again flings those doors open, bellowing as he honks his horn. ‘Drive up to the next bay, you’re not meant to stop there.’ I mentally added ‘you bloody wanker’ to the end, though it was not really said.

When finally I made it to my stop, I was quite eager to leave. It was quite obvious to anyone with half a sense about them that the driver was in no mood to be at work today, and the contents of the bus still left a lot to be desired too. I quickly fled with a timid ‘Thank you,’ setting foot upon pavement like a sea-sick sail passenger must put foot to dry land. I’d escaped.

Suddenly I’m drawn into the flow of people, finding myself trying to suppress my own growing sense of annoyance with the day. Before me, 70% of the path is taken up by people moving so slowly that an eager snail could quite easily overtake them. The other 30 was quite full of people coming in the other direction - a sea of fashionistas and self-appointed glamazons, primping and preening as they babbled together about the mundane things that somehow fill their vacant little heads.

I dipped and weaved - scooting around pensioners and turning to the side to squeeze past business-men in their doubtlessly expensive designer suits. Half-skipping, half-jogging, I make my way towards my target - an optometrist on Edward Street, which contained my darling love. On the way I am assaulted by a sales person, eager to offer the deal of a life-time. ‘Excuse me, what do you usually pay for a hair-cut’ he asks, while shoving a brochure under my nose. After two minutes of polite listening, I make my excuse and say I’ll think about it, backing away with all the care a person might exhibit when they say ‘Listen, we tried all we could… but he won’t make it.’ Turning, once again, I raced down the street. I had somewhere I needed to be.

Finally I arrive at my destination, consulted with my husband on all things spectacles and picking out what would be the best of the lot - he signs the credit card receipt and we are away. A few bare bites of substandard sushi later, and we make our goodbyes, hugging fondly before he must return to his office of intrigue, I to whatever meandering I might decide to do to fill the rest of this so-far fairly bleak day. The sushi, at least, had made things a touch better - the pickled ginger too. I nabbed $35 from his hand, and we parted ways.

I’d decided to sketch to fill the afternoon - to find a place somewhere along the Queen Street Mall, and just sketch people as they passed me by. After perusing each free area of seating, the prospect seemed less enjoyable. The people I was passing made the thought not much better either. To the left - a forty-something with a cigarette dangling between her fingers, lifting it a moment later to her already pursed lips, soon to suck on that encapsulation of sweet, sweet nicotine as if somehow it might help her escape for two minutes more from the mundanity of every-day living. To the right, a bunch of thirteen year old girls, all ripely developed for their age and none of them looking as if they’d be out of place in some sort of teenie magazine, displaying themselves, as they were, with such an air of innocence while hiding under twenty-seven layers of foundation, eye-shadow and cherry coloured lip-gloss.

I persisted, finally finding a seat shaded from the almost-midday glare and lowering myself to its curved wooden surface, when suddenly I hear something just further along the street. ‘Interesting,’ thought I. I looked to my seat, hard-won after so much looking, and almost reluctantly stood to continue further, sketch-book clutched in my hand. A smile tugged at my lips as I passed a stand making balloon animals for eager, sticky-handed children.

I approached the crowd and dipped between people until I could see who was set up on the stage. A full band, all percussion, a sweet and joyous sound breaking through my self-imposed semi-depression. I couldn’t help it - I smiled. A seat sat clear directly in front of the stage - with care, I picked my way through and sat… then I sketched. Three songs were played, each one seemingly a celebration of life itself, the musicians enthusiastically banging on the instruments with such a primal passion that I could not help it… I was tapping my toe.

To my right, a young girl danced, bouncing from side to side, exuberant and joyful, moving to the centre in front of the stage before that set was through. ‘That’s it for the first set,’ proclaims the leader of the group at the mic, the mic itself squealing too. ‘We’ll be back in about 30 minutes.’ There were three sets planned, a result of the council’s take on entertainment for children over the break. I sat. I waited. I sketched, and they returned.

Once again they took up their instruments, playing music incredibly infused with what seemed to me to be the absolute essence of joy, of happiness, of all the things that cry out of the things that go right. Behind the stage, someone tapped their foot, to the side, someone clapped their hands. After the third song, the set was ended. Once again it was announced, ‘That’s all for now, we’ll be back in half an hour, you can buy our cd today for twenty dollars down the front’. I haven’t bought a cd in a very long time, but I picked up that one just then. I sat down again, I sketched and I waited for the third set to start.

They regained the stage, taking their places once more to sing and play their tunes. Right in the front again I sat, a smile plastered across my face, drawing pictures of happy faces as I tapped my toe and bobbed my head. The third song came, but this time, there was a difference. ‘We love it when people dance,’ says Fatima (by then I knew her name). ‘We love it when they dance, but hardly anyone comes up front. Children, they aren’t ashamed to dance, they have less inhibitions than we seem to. Tell you what. Anyone who comes up to dance in this set gets a free cd. Anyone adult that is - and if you’re wearing a suit, even better! Although we offer this a fair amount, hardly any-one ever actually does.’

The song starts and a lone girl of five of six bops along to the music on the lip of the stage. A little while passes, and another dancer approaches - this time a mother, it would seem, willing to risk it to get a free cd. A blonde bounces up and lasts about 15 seconds before she starts to duck back towards her place at the sidelines. It’s then that I decided. I stood. Tossing my bag to the edge of the stage, where I could keep an eye on it, I started dancing along too.

You know that old saying? Sing as if no-one’s listening, dance as if no-one’s watching, and all the rest? I can’t say that I danced as if no-one is watching - I have too many wobbly bits, and I doubt that most of the gathered crowd wanted to see what I might do if no-one was watching at all… but I did dance as if there were only a few people around, instead of hundreds. Another girl bounces over - a gorgeous creature in a dove-grey dress, head topped with a mass of red dreadlocks held in place by an over-sized flower. We smiled at each other as we spun around, trying to urge someone else to join in this exuberant fray. The lady who had left sidled back to the front, and with a laugh, joined us again, bouncing around and flinging her arms skywards to the percussive beats of the marimba band.

The song ended and I dropped to my seat, certain that a warm blush effused my cheeks as I took a tired breath. Fatima announced that those who had danced could go and grab their cd, but I did not join them. I’d already paid my twenty dollars, and I felt it was quite an investment well made. I danced simply for the joy of dancing, and needed no bribe to bring me forth after someone else had broken the ice. I can’t say that it is something I would do every day, but for today it was just right.

When they played the next song, I danced then too, along with the red-haired beauty who had come up before. When the final note faded, I knew at least that I could hear them again once I had gotten home, with their cd tucked away carefully inside my bag.

The crowd dispersed, and I along with them, wandering down the street with a smile still upon my face. I wandered past a stairwell, with a sign at its base - ‘Health Club Plus, Please Go Upstairs’ was written on it in bold green letters. I laughed to myself, quite thinking that it seemed like some sort of health-club initiation - if you’re serious about your health, you’ll mount the stairs… if not, you might as well wander by.

Finally I made my way over to the state library, plonking down in a chair and reading a children’s book… one of the things that I so love to do when I want to feel a sense of happiness that sometimes otherwise eludes me. Enjoying the way the illustrations captured the essence of each word so neatly typed upon each page, I turned each one until I had read it through. It wasn’t really all that long of a book. I set it back in place and left, noting as I did the schedule of events for the month to come.

Coming to the place where I must have my lunch, if in the city, I ordered something I had not yet tried - Mo-Po Tofu. ‘That’s not vegetarian,’ said the diminutive Asian woman behind the counter, to which I reply that that is quite fine indeed. I had hopes that this food would eclipse the sushi of earlier, which had left my palate so disappointed. My number was called and I fetched my food, steam curling from the dish, wafting upwards with the delicious scent of savoury. Taking it to an empty table, I have to say, it tasted like a food of the gods. Eating slowly, almost reverentially, I finished the bowl, a deep satisfaction seeming to find its way into every last single inch of me, from top to toe.

Thus my day was concluded. I came home. And here I sit now, listening to the cd with a goofy grin on my face, thinking of how fun it’s going to be dancing with the cat to it later, while my husband beside me listens and tells me that I’m some sort of crazy lady. You know what? Every now and then, its fun to be a little crazy!

Just to let you know, the people playing today were Jambezi, a marimba band based on the Sunshine Coast. Check them out!

Sketch: Missy Pen-Pen, and ‘Yay, I got my Parchment… ohhh…’

Kat Johnston Sketch: My darling miss Pen-Pen with her fishie treats... I love my cats.

My darling Miss Pen-Pen, how I do so adore her. She’s the little sumo-cat of our household, and isn’t afraid to throw her weight around if needed. She truly is a queen, speaking up when she’s ready for a snuggle and somehow -you- haven’t given her one yet. She does have a tendency to get demanding at times.

A sumo for a queen… now that is an interesting thought, is it not? Its like the daughter of a 1950s mob boss that everyone compliments and so forth, even though in reality she’s no drop-dead gorgeous bombshell: she’s twice the size of a house and happy for it. So long as the situation didn’t change, she’d never have reason to doubt other than what people have told her either, would she? While not exactly entirely true, you get the picture. My Pen-Pen is a queen and a sumo to boot.

Onto an entirely unrelated matter… I got my parchment yesterday! I’ve now officially got my little piece of paper saying ‘Look world, this person has actually completed a Masters of Arts and Creative Industries Management, and she’s done it in such a competent manner that we’re willing to say she somehow knows what she’s talking about. Yay her.’

It’s kinda a funny feeling: I have it done, completed, finito, and there’s nothing left to do. I’m not sure if anyone else feels that the receipt of a piece of paper to say ‘Really, I know what I’m talking about,’ is as anti-climactic as I do… but it does tend to feel that way to me. You finish your course, you wait almost five months, and finally some small woman comes a-knocking at your door and says ‘Sign here please.’ You do as you’re told, you open it, and this piece of paper really isn’t all that more impressive than the last one (I’ve done this three times now).

Don’t get me wrong, I’m glad to have it - but it’s almost as if finally getting it is mocking in nature. ‘So,’ it says to me, in a wheedley little voice, not unlike that weasel little tell-tale in the school yard most of us have doubtless encountered. ‘So, it’s been almost five months since you have completed me, and what have you done? Hmm?’

Here am I, wide-eyed, stuttering out an ineffectual response. ‘Well, I, umm, I was waiting on you before, you know, I, um, got started on anything? Or something like that?’

The parchment snickers knowingly, a gleam to it’s silvered seal as it glints in reflection of the somewhat dim fluorescent bulb. It’s almost an accusation. ‘Ohhh, but you have me now,’ says he, ‘You have no excuse left! What are you going to do, hmm, what are you going to do?’

With a barely uttered grunt of disgust I glare at my parchment, and fling it in a drawer with the others. That’ll teach it to have a go at me!

Sketch: Magnificent Mogs

Kat Johnston Sketch: Is there anything more magnificent than a pair of moggies? Kittens... full of teh cute.

We’re building on the post of yesterday now… yesterday’s picture looked rather much like a Lolita to me (one of my cats), that I had to do a Penny too (uhhh.. the other cat). Penny does not look quite right on her own though, when there isn’t a Lolita around to try and pounce on her tail.

You see, Penny is what we would like to refer to as a ’sumo’ cat. Lolita, now she is the ninja. I’m not sure if ninjas and sumos regularly get along, but these two cats have never really been the cuddley type with each other. Ohhh, they play, they skip around the house chasing each other one way and the next… they’ve even been known to form rather effective two-cat hunting parties when it comes to cornering a quick-witted lizard. But they’ve never really been close to the point of snuggling.

What is Lolita’s favourite pasttime? Bugging Penny. What is Penny’s favourite pasttime? Sleeping… oh, and bugging Lolita. It all tends to work out in the end.

Oh, on another little note, I’ve decided to split up the Sanu stuff from this blog, and move it over to its own little area at http://katjohnston.com/sanu. While I believe that it wasn’t doing too bad over here, giving it its own space will hopefully allow me the freedom to expand on some Second Life issues there without boring… well… the rest of you! If you want to check it out, just skip over at any time and take a peek. KatJohnston.com will return to its regular content of sketches and random thoughts.

Sketch: Box kitteh sez ‘I iz live nao? Wheee! Kibble Plz?’

Kat Johnston: Box kitteh... Is she alive? Is she dead? You'll only know if you ignore the 'do not disturb' sticker!

Lord I am tired tonight… and I’m not even entirely sure why. I guess that some days are just long, and when they are, they bear down on you, making you feel worn and weary. That aside though, I’m very happy with my sketch today! A little while back, I did a picture with a scrawled cat… it was the last thing drawn on the sketch and honestly, my favourite part of it. So today, I had another peek at that sketch and thought, ‘yup… I’m going to try this again.’

I did-so, and today’s picture is the result. It is by little wonder that my picture reminds me so much of my darling Lolita, a little tortie cross who is one of two apples of my eyes. Penny, being the other, is not currently pictured.

You see, each night before he goes to bed, my dutiful husband does a round of the house. He makes sure that the doors are locked, that the air-conditioning is off (if indeed it were on on the first place), and so on and so forth. One of the other things he does is check to make sure that both cats are around and safe. We have indoor-only cats, and although there is very little chance that they have somehow performed the great escape, it never hurts to check.

One evening, he does his regular rounds, calling out to the cats to make sure that they are safe and secure like the rest of us. ‘Lolita!’ he calls, ‘Lolita, baby-girl, where are you?’

This goes on for a couple of minutes… then a couple more. After which, he comes racing down the stairs. ‘I can’t find Lolita!’ he cries, his eyes wide and gripped by a certain paternal fear. ‘Come help me look!’

Thus, I join the search. From high to low, from top to bottom, in every perceivable nook and cranny we search to discover the missing feline. She had me quite as mystified as she did James. With a rising panic I realize that it does indeed seem that our magnificent moggy had finally discovered a special secret way known only to cats to teleport from one part of the room to another, but further, how to do it to the outside.

How would she survive? She had no opposable thumbs, no pre-prepared sachets of food designed ‘for pet consumption only’ strapped to her bluish back. She had, of course, wrestled a gecko or two in her day, but that was nothing when put beside the territorial neighbourhood tom.

With a sigh of resignation and no small measure of puzzlement, we were almost ready to admit our defeat. Our cat had somehow escaped, despite all odds of both means, opportunity and brain-matter. ‘One last time,’ murmurs James. The search begun anew.

A bare few minutes later, I hear an exuberant cry. ‘She’s in here! I found her! Come look!’ he bellows, motioning frantically, as I approach the downstairs door. There, curled in the bottom of one tall box, lay our cat, quite content to nap while all around her we scramble in search of her. She had not only jumped into the box - she’d pulled the lid closed after her, effectively sealing her off from view in a place we would not think to look. I mean, we know she liked boxes… we just weren’t quite sure she was smart enough to work out how to put up her own little ‘do not disturb’ sign!

If you’re curious about the title of today’s post, and don’t get it straight away, perhaps you haven’t heard of Schrodiinger’s cat? Go check it out. It’ll boggle your miiiind.