Blog

  • Atelodemiourgiopapyrophobia – the fear of imperfect creative activity on paper.

    Kat Johnston - Atelodemiourgiopapyrophobia, a fear of imperfect creative activity on paper.

    I know, it is rather a mouthful, isn’t it? A friend and I have looked high and low to find a proper term for a fear of ruining a blank page. We have found fear of blank paper (vacansopapurosophobia), fear of imperfection (atelophobia),  fear of ruin (atephobia) and fear of failure (atychiphobia), but none quite describes it perfectly.

    What am I talking about exactly? I’m talking about the fear of ruining a beautiful, pristine, blank piece of paper. The fear that so many of us seem to face as we stare down at that first intimidating page in a brand new journal or sketch-book, sitting there so full of amazing potential of what ‘could be’; that is, until we make that first stroke of a pen, the first sweep of a brush. Not one, single mistake lies between cover and cover yet: its perfect. The things that could potentially rest on those pristine sheets are the things dreams are made of – until we actually write or draw in it and stuff it all up with a misplaced squiggle or a crossed out word.

    Its easy to look at an empty sketchbook and imagine all the great things that could go on those pages. Its much harder to actually make the move to do so, and risk creating a garbled, disorganized mess; which in my case at least, is far more likely than having it turn out to be the new next best thing to Da Vinci’s journals.

    All those phobias above are just fine, well and good, however they do not capture that specific fear that we artists, writers, and other creative individuals seem to face. They are general and overarching. Am I afraid of all blank paper? No, not at all. It isn’t blank paper by itself that scares me, but the ruining of said paper by creating something unworthy of it – messing it all up. Is it a fear of failure? Well, of course… but it isn’t a fear of failure overall, it is fear of failure at this one specific task of drawing something good on paper that deserves a good drawing.

    Thus, I propose that we actually name this fear. No-one (so far as I can see) has made a good one yet, so it might as well be Lins and I who coin the term. Here are a few options, for those who like choices. Credit goes to Lins for coming up with the words from their various etymologies:

    Atepapyrophobia – a fear of ruined paper.

    • Word origins: ‘Ate‘ from Greek Ate (goddess of rash destructive deeds). ‘Papyro‘ from Middle English / from Old French papier / from Latin papȳrus, papyrus plant, papyrus paper / from Greek papūros.

    Atekanevaphobia – a fear of ruined canvas.

    • Word origins: ‘Ate‘ from Greek Ate (goddess of rash destructive deeds) ‘kaneva‘ from 1260, from Anglo-Fr. canevaz / from O.Fr. canevas / from V.L. *cannapaceus “made of hemp” / from L. cannabis / from Gk. kannabis “hemp,” a Scythian or Thracian word.

    Ateloaetorrophobia – the fear of an imperfect creation.

    • Word origins: ‘Atelo‘ from Greek ateles literally ‘without end’, meaning incomplete, inchoate, imperfect. ‘aetroro‘ from the Greek aetorrous literally meaning ‘creating’.

    Atelodemiourgiophobia – the fear of imperfect creative activity.

    • Word origins: ‘Atelo‘ from Greek ateles literally ‘without end’, meaning incomplete, inchoate, imperfect. ‘Demiourgio‘ from Greek ‘demiourgia’ literally workmanship, handicraft, meaning creative activity.

    Atelodemiourgiopapyrophobia – the fear of imperfect creative activity on paper.

    • Word origins: ‘Atelo‘ from Greek ateles literally ‘without end’, meaning incomplete, inchoate, imperfect. ‘Demiourgio‘ from Greek ‘demiourgia’ literally workmanship, handicraft, meaning creative activity. ‘Papyro‘ from Middle English / from Old French papier / from Latin papȳrus, papyrus plant, papyrus paper / from Greek papūros.

    I for one think that ‘atelodemiourgiophobia’ is the better, broader, overarching term for this fear of failing in creative endeavours. After all, I have the same problem standing back and looking at a blank canvas some days, as I do looking at that brand new bound sketchbook waiting to be drawn upon. But I don’t know… Atelodemiourgiopapyrophobia works too. And is far more impressive!

    The sketch that accompanies this post? Well, perhaps it is my own little theraputic way of trying to overcome this phobia. Its drawn in a sketchbook. A good one. I’m never going to create the stuff dreams are made of between those covers unless I dare to give it a go now, am I?

    Word origin credit goes to www.dictionary.com and the Greek-English Lexicon by Henry George Liddell and Robert Scott, hosted online at www.perseus.tufts.edu/.

  • This site is undergoing a redesign.

    Hi everybody! As you can see, this site is getting rather dated, and was neglected for a little bit there… so a full redesign is currently in the works. Please be patient as that goes ahead. In the meantime, please check out my new project over at www.bunnies-unbound.com!

    Edit from the future: the Bunnies Unbound project has been completed for quite some time!

  • Sketch: Spaghetti and Mutt-balls.

    Kat Johnston: Spaghetti and mutt-balls... it's the height of art, don't you think?

    I think we can all acknowledge by this point that I love a good pun. I can’t help it! Good word-play, however groan-worthy it actually sounds once the joke is made, makes me tick. Manipulation of the English language into humorous forms is just plain awesome. And it is often really hard to explain when trying to teach it in another language.

    Oh, there are puns incorporated into humor in other languages too. It isn’t that uncommon to see a joke confusing ‘hana’ (meaning flower) and ‘hana’ (meaning nose) in Japanese, for example. But trying to explain how, ‘A horse walked into a bar and the bartender said, ‘Why the long face?” is funny to someone who doesn’t natively speak English and isn’t aware of the cultural context surrounding the traditional role of the bartender-as-therapist in Western culture is something else entirely. Even after explaining how the joke works, even in English you’re likely to still ask why someone let a horse into a bar anyway. Surely that violates a health code or two.

    So yes. I make no apologies for my pun today, groan-worthy and lame as it might be. Puns may not be the height of humor, but they’re still pretty awesome to me.

  • Sketch: I’m in a bit of a bind…

    Kat Johnston Sketch: A kitten. Some rope. Cuteness. Utter cuteness!

    It could be yarn, it could be rope… hell, I think it could even be spinach-infused spaghetti in pesto sauce. Either way, I think it’s cute, and that’s all that really matters, right?

    I decided, at some point, as I was sketching this, that the kitty would be a Siamese. I have two kittens of my own – one is a blue Tortoiseshell, and the other is a medium-haired lynx-point Siamese cross. Penny (the lynx-point Siamese cross) is probably the least likely cat I know to end up in a situation like that, and yet… she became my spokes-kitten anyway. Despite the fact that my other cat (her name is Lolita, in case you were curious) is just about the most likely to end up like that. I swear, I’ve never met a more natural bondage-kitty. She likes to get herself tangled up in everything!

  • Sketch: Dinocorn meets Dinocorn. Love results.

    Kat Johnston Art: Dinocorn meets dinocorn. How much cuteness can you get in one picture?

    And they lived happily ever after. Aww!

    I had this thought yesterday, and I could not help but want to draw it out as soon as I thought of it. You see, I have a friend. She loves dinosaurs. I have several other friends who like unicorns. So naturally a combination of the two would be adorable, right? I figured that a dinosaur and unicorn hybrid probably already existed in the creative mind of some other individual/s out there (how could it not?), but I had to draw it anyway.

    But I had a problem – an ever so slight one. What to name this mystical creature? Unisaur? Dinocorn? Dinosauricorn? Obviously the last two were better, but as soon as I said them in my head, the thought of a dinosaur made of corn could not be shifted! Thus, ‘Dincorn meets Dincorn’ was born.

    On a slight side-note, my Facebook fan page now has over 100 likes! I am incredibly stoked to have met that milestone. Hopefully that number can keep moving up, and I can shoot into internet stardom, hey? *grin*

  • Body Art: Some more playing around with face painting.

    Kat Johnston Body Paint: A peacock style face design! I'm still trying to get the hang of these paints

    I’m still trying to get used to these paints! They’re very fun to play with, without a doubt – but they’re definitely different from working with my favoured styles of paint. For one, the amount of water to paint and how often to reload the brush is a balance I am only just starting to get a feel for. Erin was kind enough to let me use her as a human canvas again today, so I wanted to try something with a bit of a peacock flair.

    Kat Johnston Body Art: Cherry blossoms on a field of blue.

    Annnnd I was lucky enough to have another human canvas last night! This time I went with a cherry-blossom inspired piece. Nothing wrong with a few florals, right?

    I really love the way the blue, green and yellow blended for the background. I think I’m going to have to try that again soon!